Ways of Seeing

I look at the similarities and differences of the land and the people who occupy it. Time and experience shape our reality, and reality itself depends on perspective. The choices we make form our identity and determine our footprint in the world.

I use the camera to record my life path. Each photograph offers a glimpse into a place shaped by an individual point of view, but how it is read shifts with every spectator. There is no single way of seeing. As the photograph replaces lived experience, it becomes a translation—partial, imperfect, and open to reflection.

From there, I turn the photograph into material. I cut into the print, selecting pieces that hold my attention, then overlap fragments to build a new scene. This act of reconstruction unsettles certainty, opening space for new readings and fresh opportunities for interpretation.